The travesty of George Floyd’s murder, and the relentless replay of it, tore the top off the blister of 400 years of racism festering in our country. In the weeks following, like many white people, I read books, watched films, and meditated. Each week I hoped to post an essay, but had no words.

When I visited the Quai Branly Museum in Paris a few years ago the vast anthropological collection inspired me. I photographed a series of totems from Africa as sources of wonder, worthy of deep consideration. And now they returned in dreams, in meditation, when hiking in the woods. Persistent…haunting. What could they tell me? What did they want?

After weeks of research about our society today, I researched the history of these artifacts, to trace why this golden bronze face, pictured below, was coming to mind every time I tried to write about race.

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Centuries have not diminished the illuminating glow emanating from this tiny statue, one of many originally crafted to honor resources such as water, mountains, or harvest. The tenacity and worth captured by the posture and expression, these are riveting, powerful and memorable. This figure was crafted five centuries ago in the Kingdom of Kongo on the east coast of Africa. (The name comes from the KiKongo language spoken there).

From the 1390’s the Kingdom had a government ruled by elected officials. Kongo people practiced a dualistic religion, based on life as it is seen through daily interaction, and the unseen–influenced by spirits of the dead and supernatural. There is no written history of the early Kingdom. Later accounts by Europeans reflect bias and are therefore not fully reliable.

In the late1400’s the Portuguese first traveled to the Kongo region, seeking a waterway to India. Welcomed by the King of Kongo, the Portuguese established themselves on a small island and began trading for copper and ivory. But within a decade, these new neighbors demanded labor instead of goods, and in an escalating and seemingly inescapable pattern, developed what would become the nexus of the slave trade. An accurate account of the evolution and vicissitudes of the slave trade in Africa can be read here: https://www.sahistory.org.za/article/kingdom-kongo-1390-1914.

From1570-1867 it is calculated that 5.69 million Africans were captured, transported and embarked from the Kongo coast to serve the labor needs of the Americas as well as various small islands later named Haiti, the Bahamas, Cuba and etc. During this period priests, officials, slave traders and slave owners persistently sought to dehumanize the African race as a means to justify the slavery practice. This disinformation about the peoples of Africa spread fear and judgment, embedding seeds of racism throughout Europe and the Americas.

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The African culture of Kongo changed radically. Elections ceased. Descendants of the king now ruled, and these kings were known to trade in Africans captured from other regions. The seen and the unseen dualistic Kingdom religion transformed to a blended form of Christianity. A typical Kongo icon from the late 1800’s is shown above, with nails piercing nearly every surface. Unceasing pain seems to be the message from this period, piercing the very worth, the power, the knowingness once so vivid in the glowing artifact from 300 years before.

This May the relentless replay of the murder of George Floyd drove nails straight into the denial, the numbness, and the avoidance of racism in our country. Racial disrespect, pretension, fear, grief, guilt, despair, and shame are like the nails piercing the second Kongo effigy. Nails which only we, in America, can extract, using care, awareness, and respect.

What can these totems tell us today? What are they seeking?

When I was twelve six simple words motivated me to change my life. This awakening, this sudden schooling, came from the words of a poster designed by an artist and anti war activist, Sister Mary Corita:

“I greet the light within you.”

When I saw this simple phrase in 1962 I immediately felt a possibility, a presence of respect. This changed how I saw my world and my place in it. I realized the life I was living was not authentic, and not likely to deepen, unless I left home. Authenticity did not happen that day; that work is ongoing. But without awakening there is no beginning…

Fifty years later, the gleaming icon captured in the Quai Branly radiates this message to us, like a drum beat from the heart. Awaken. See what has previously been unseen. Greet the light, name the gifts, honor the value therein. True equity is an unexplored territory, full of challenge and treasure.

When I designed this blog I chose the nailed icon to represent my idea of “How to be Human.” In my naïve, uneducated view the nails represented womanly inequality, loss, and struggle. And now, schooled on where these artworks actually came from, I see two things—the seen world, where I appropriated the suffering from another culture, and the unseen world, where these supernatural totems insisted I widen my lens. May they spirit you along your path to acceptance, forgiveness, tolerance and love. Be the compassionate witness. Bear it. Stand up. Greet the light and widen your lens.

In preparing this post I consulted many sources and discussed perspectives with family, friends and authorities. Listed below are some I found helpful:

White Fragility by Robin Diangelo

How to Be an Anti-Racist by Ibram X. Kendi

I’m Still Here, Dignity in a World Made for Whiteness by Austin Channing Brown

The Souls of Black Folk W.E.B. Du Bois

Just Mercy by Bryan Stevenson

8 Can’t Wait https://8cantwait.org

NAACP www.naacp.org

Tara Brach https://www.youtube.com/watch?v=7MLGkGCLKw8&feature=emb_logo

Movies: Best of Enemies

13th Amendment

Just Mercy

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